This time I created a hood for Master Juan Lazaro Ramirez Xavier- former Baron of Stonemarche
and my SCA big brother.
Xavier, as he's known, with his beautiful wife Maria were brought before the king at Great Northeastern War and given writs to contemplate joining the Order of the Pelican.
I would not be in the SCA without Xavier.
My household, House Strangewayes, would not exist without Xavier.
It was Xavier and Maria's wedding that a young Mistress Iulia Agricola
(formerly Elinor Strangewayes) attended which hooked her, then her childhood friend Simona, and then Simona's work friend me on the SCA. And it's been encouragement and support for us and a legion of other newcomers that he and Maria undertook during their decade as Baron and Baroness Stonemarche.
You know those posts I have about Palio
is his idea. His baby. They also established the newcomer tour at Birka. They first introduced me to Sir Kyppen's YouTube videos on being a chatelaine by holding a class about these videos at Harper's Retreat.
So needless to say we wanted to give back. Stonemarche is the home of our hearts, and a huge reason for that is Xavier and Maria's work as Baron and Baronessa.
So on to the project! He wanted a hood, as he overheats easily, instead of a full cloak and cap of maintenance. We also had a two week window due to Pennsic. So I sent him a sketch of what I was thinking:
Red linen hood, with gold silk lining and red jewels and embroidered pelicans.
|A simple hood with red cabochons for the blood drops around the hem and two embroidered pelican roundels|
We made a few modifications, he was worried that the red jewels would not stand out against the red linen so he suggested gold balls behind the jewels as gold balls are part of his heraldry.
AND BECAUSE I LOVE MY FRIEND I AGREED TO APPLIQUE CIRCLES
Pennsic gave me a chance to shop for materials. The gold silk which was too heavy to line the hood was perfect for the gold silk Pelican giornea which Lady Simona bat Leon was making for Maria from the lovely new fabric and notions vendor in Poison Pen Press's old spot. Booth 63 I believe. Instead I got the silk at home at Sewfisticated and Xavier ordered the red linen from fabric-store.com.
The things that make this hood are the jewels, which I got at Cabochons on Bow Street #19. Run by the amazing (Mistress, Countess, all around awesomeness) Arastorm the Golden and her daughters Willow and Kat. They had not just teardrop jewels, but I could pick from red faceted jewels or red cabochons! They came with the fittings and Willow gave me a crash course in sewing them on. Plus, they are from Stonemarche!
I copied a hood that he already had which was made based on Cynthia Virtue's hood pattern.
The one he had the buttons were sewn on the very edge and the buttonholes handsewn through both layers.
I basically cut the same shapes for the outside as the lining. On the lining squared off the back of the hood instead of making a tail. The only thing that wasn't fully lined was the liripipe (the long tail) which we measured at 41" long on him, to give just the right amount of drape when the tail is tucked into his belt. So I cut a 4 1/2 inch wide by 42" strip for the liripipe. More on the liripipe later.
The hardest part of this were the appliques. The thing that made the hood though, were the appliques.
I first cut out a template out of a folder for the heavier paper weight the finished size of my circles. I then cut out ten circles with a quarter of an inch seam allowance around the edges. I then proceeded to use ALL THE STEAM! I wet down the circle, placed the template in the center and folded up the steam allowance carefully and ironed it down around the edges. (Pictures forthcoming) I take this technique from quilting circles.
The first one I serged around in red, but there were two difficulties in that. First, serging tiny circles is a maddening task, and second, the serging didn't do what I wanted it to, which was give me an even guide to hand sew against. Instead, it betrayed me and showed in an ugly manner around the ironed edge. So I banished that circle and cut a new one.
|The finished ironed silk circles |
Then I added the findings, snussled the jewels into them, and played around more with placement.
|More spaced out. Less work. I felt it didn't look right.|
|More circles! This is the right look!|
Then I got to hand sew around the wee little balls.
Here are the mistakes I made doing this:
I should have sewed the gores in first, but I was intimidated to do that, so I procrastinated.
I didn't use silk pins so I then had the smooth out the silk from the fat quilter's pins I used.
I agreed to applique circles in the first place.
|Finished sewing on the circle! Now to embellish|
|How it looked from the back... at first. |
|The finished applique|
After the stitching around it, I did a back stitch in gold and whipped around it in white.
Due to the different fabrics they sort of "puffed" when I finished them. So I put a circle of red wool felt (left over from Viking Sailor Moon) behind it to keep the convex shape and give more of a "ball" look to the appliques.
A note on the motivational cocktail:
|It's a motivational cocktail! A Fortune must while sewing!|
Syele von Heidelberg made me an awesome boozy milkshake from vanilla ice cream, cocoa and cookie butter from Trader Joe's and vodka! And it had a cool straw!
I sew (on a deadline) better when a little buzzed, it gets me over some of my hesitations and have Brilliant Ideas (tm)! (I once came back tipsy from a Halloween party, drafted and made a Venetian gown and wore it to Crown Tourney the next morning. I looked FABULOUS)
In this case I had a Brilliant Idea (tm) about the liripipe. Xavier, for all his noble qualities also has a great sense of fun and whimsy. So I was determined to hid the squeaker from a squeaky toy in the tip of the liripipe.
Which of course meant I got to go to Wal-Mart and look like a lunatic squeaking various items in the pet toy aisle to find the right pitch of squeak.
Turns out - squeaky toys are harder to open than you'd think.
The way my mother's 8 lbs Malte-Poo goes through them I figured no problem, this thing will give up it's squeaker easy. NOPE. I had to eventually stab it to death.
Back to assembly!
|Squeaky squeaky murder|
I have done these hoods before - but every time I get intimidated by the gores, look up Alysaundre's Perfectly Pointed Gore Technique
and wonder why I get intimidated by the gores. They came out perfectly, no having to rip out and try again on any
of the four gores.
I stitched the long liripipe strip to the outer hood, folded everything and ironed it, sketched a half moon shape at the tip and stitched up the liripipe and down the center back.
I stitched the tip of the back of the hood together, left a generous 6 inch space and then stitched down the back of the neck as well. I then matched them both up and stitcked around the edge of the hood and around the cape edge. This uses a lot of pins, but worked out really well. Then I pulled it right side out through the slit and sewed that up by hand. Now it's more ironing, because linen NEEDS to be ironed and silk takes so beautifully to an iron.
It came to the night before and I sewed on the buttons which I'd found at a local Jo-Ann's which looked like period metal buttons. The young lady at the checkout also let me use every coupon they had going so it cost me about $5 for $20 worth of buttons. I stitched them to the edge of the fabric about every inch, tightening to ever 3/4 of an inch around the curve of the neck.
The intention was to do handsewn buttonholes through the fabric. But... that looked terrible and I was doing it on site the date of the event. For some reason the silk and linen did not want to cooperate and it looked like a small rodent had chewed a hold through the garb.
So I changed tactics. I had three hours, and I had seen a technique for turkish garb making thick thread loops and doing a buttonhole stitch around it.
This site calls it the buttonhole bar stitch.
|From rocksea.org Sarah's Hand Embroidery Tutorials|
Instead of doing it here in the middle of the fabric I did it on the very edge with red embroidery floss and when done correctly the loops don't even twist!
I was able to get the loops done in plenty of time for court and they looked fabulous!
The below photos are from Lady Estefania del Bosque who did a magnificent job photographing the day.
|Her Majesty places the hood around his shoulders|
|Xavier, His Majesty Omega, and Her Majesty Ethedreda|
|Xavier, Maria (and her gorgeous gold giornea), His Majesty Omega and her Majesty Etheldreda|
|Master Juan Lazaro Ramirez Xavier|
Here you can see the one handbound buttonhole I managed to finish. The Pelican embroidery did not make it to the event, but will be added later.
I didn't tell him ahead of time about the squeaker. I told a couple other
people, but not him. So after he was done with court some rapscallion squeaked him. It was huge hit.
More about the event:
It was a beautiful day at King's and Queen's Equestrian.
Inspired by Pennsic my cohort Lady Bianca Anguisola and I made a big effort to have as much of a period pavilion as possible.
|Isn't she just lovely folks? |
We borrowed the tent from a friend of Simona's and brought our wood tables, wood benches and period servingware. We served a simple but period lunch and had some great fellowship.
|And aside from the vigils we were the place to be|
|It helps to have a war kitten!|
Zeus (the cat) and Munchkin (the dog) were great entertainment
Lady Este offered to do a photoshoot with us so... we couldn't resist.
|Some of House Strangewayes: Lady Lysken die Waeyer, Lady Cecily Wyndham, Lady Elvira Ballesteros, Myself- Lady Fortune St Keyne, and Lady Bianca Anguisola|
Things quickly escalated...
|The Hills are Alliiiiiiiiiiive!!!!!!!!|
As you can see, my household are a super serious bunch.
My dress is based off several portraits in the 1520s made for Pennsic out of some wonderfully soft lurex striped fabric from Jo-Ann's and the lower sleeves are out of velvet. The camicia is from my Birka dress for the Queen's Celestial Challenge - which reminds me I need to do a post on that dress. Bianca has a 1550s back side lace gown and her dramatic walking veil. Elvira is in a 1530s gown which is scandelously under dressed without sleeves (the hussy!). Cecilly is in a similar dress out of gold key because she wanted to be in on the Italian flavor of the day and Lysken, who has to be different, is in a Roman outfit, while technically still Italian from several hundred years in the past.
A wonderful day all the way around!